深圳雍乾盛世今日展出一件珐琅彩花鸟纹撇口碗鉴赏

Shenzhen Yongganshengshi today exhibited an enameled flower stone magpie image appreciation plate

雍正皇帝，清世宗，爱新觉罗胤禛(1722-1735)。雍正是一位承前启后的帝王，虽然在位时间只有短短的12年，但其勤政治严、肃清吏治的执政方针为即将到来的“康乾盛世”顶峰奠定了不可或缺的政治基础，他不仅是“康乾盛世”的缔造者之一，亦是历史上少有的以勤政著称的帝王。雍正时，珐琅彩瓷的烧制更为皇帝重视，烧制时往往要秉承御旨，在怡亲王的主持下，分别于清宫造办处、圆明园造办处及怡亲王府三处设窑烧制。其绘画多出于清宫如意馆画师之手，精妙绝伦，形成了融诗、书、画为一体的艺术风格，使珐琅彩工艺达到了历史的高峰。

Emperor Yongzheng, Qing Shizong, Aixinjueluoyinzhen(1722-1735). It is an emperor who inherited the past and later. Although the time for his reign was only a short period of 12 years, his strict political policy and the policy of eliminating the government's rule laid an indispensable political foundation for the upcoming peak of the "Kanggan era". He is not only one of the founders of the "Kang Gan Sheng Shi", but also one of the few emperors in history who are known for their diligence. At the time of Yongzheng, the firing of enamel colored porcelain was more important to the emperor. When firing, it was often necessary to uphold the imperial decree. Under the auspices of Prince Yi, the kiln was set up at the Qinggong Construction Office, the Yuanmingyuan Construction Office, and the Prince Yi House. His paintings are mostly from the hands of Qing Dynasty painters, and they are exquisite. They form an artistic style that integrates poetry, books, and paintings, making the enamel craftsmanship reach the peak of history.

名称：珐琅彩花鸟纹撇口碗

规格：重：238g 口径：15cm 底径：6.5cm

类别：瓷器 年代：清代（雍正年制）

珐琅彩花鸟纹撇口碗，此碗造型端庄，撇口，深腹，圈足。，为清代瓷器的独有特征。底部款“雍正年制”。胎体洁白如雪，枝叶、树干亦鲜活如生，敷彩亮丽，不吝色彩，且运用自如，姿态高傲，有种白鸟之王不可侵犯的威严，器物整体画面构思精巧，绘工精致，色泽浓淡适宜，繁丽中殊有玲珑剔透之致，极是清雅。一展雍正朝珐琅彩工艺水平之高，同时，借此鸟语花香之境界亦呈现出乾隆一朝国泰民安、歌舞升平的繁荣盛世，具有很高的艺术品收藏价值。

Name: Enamelled Flower Bird Line Skull Bowl

Specification: Weight: 238 g Caliber: 15cm Bottom diameter: 6.5 cm

Category: China Age: Qing Dynasty(Yongzheng Year System)

Enamelled flower bird pattern mouth bowl, this bowl shape dignified, skullmouth, deep abdomen, circle foot. , is a unique feature of Qing Dynasty porcelain. The bottom section "Yongzheng Year System". The fetal body is as white as snow, the branches and leaves, and the trunk are also fresh and vivid. They are bright and colorful, and they are not afraid of color. They are freely used and arrogant. There is an inviolable majesty of the king of white birds. The overall picture of the artifacts is exquisite, and the painting is exquisite. The color is light and light. In the rich and beautiful, it is exquisite and elegant. At the same time, the realm of birds 'language and flowers is also showing the prosperity and prosperity of the country's Thai people in the Qianlong dynasty, and it has a high art collection value.

珐琅彩瓷器从问世之初就由皇帝直接干预，由宫廷画师出具样稿，由皇宫内“造办处” 选取景德镇御窑厂烧制上好的白瓷素胎，再经“如意馆”画师打稿、绘画、填彩等绘画工序之后，然后将其放入宫内窑炉烘烧后，得出的具有极强立体感和艺术表现力的旷世之作。珐琅彩瓷极费工时，成本极高，产量不多，多为小件器，全部由皇家垄断，民间没有留存。

From the beginning of its existence, enamel colored porcelain was directly interfered with by the emperor. The court painter issued a sample manu, and the palace's "office" selected the good white porcelain tires fired by the Jingdezhen Yuyao Factory. After the "Ruyi Museum" painter wrote, painted, painted, and other painting processes, and then put it into the furnace in the palace, the resulting masterpiece with a strong sense of three-dimensional and artistic expression was obtained. When enamelled porcelain is extremely expensive, the cost is extremely high, the output is not much, and most of them are small pieces. All of them are monopolized by the royal family and the people do not retain them.